UPROOT
HOMEBODY
The full moon pulls
at my womb
through the clouded
afternoon sky
my own body
beats me from inside
but I’m just glad my parents
only ever smothered me
with love
a crab shell
fits snugly on my body
but who has time
to sink inside
and outside
the sky clouds over for you
rains for you
I want to scream and I want to know if this is just the moon
grabbing at my chest or if I have a right to cry?
I was at a booth
in the dining hall
when I saw the email
and I cried
tears spilling slowly over my mask
and I wanted to cry harder but I was afraid
to cry alone
in public
so I stuffed my grief into my little backpack
with my laptop and the notebooks
and the book I was supposed to read
and I carried it with me to a meeting
and forgot to hear it grumbling and scratching at the seams
and every day the yellow leaves fall
and the red leaves fall
and the orange leaves fall
and every spring the green leaves grow
but I like this foliage
the way it is
what happens to a red orange yellow leaf
shriveled
no longer pretty enough to be the background of an
Instagram photo
what happens to a leaf brown and crusted, stepped on?
You’re just a fallen leaf
Why do I wonder
who found you
and how you did it?
All our branches are bare
and we feel ashamed of our nudity
so we stand apart
and snatch at the distant sun
who clocks out early now
and we can only hope to be cut down
into log after log
and burned, given
purpose, warmth, then peace
or root down, hold firm
and bear the winds until our leaves dress us
again
and our barked bones bask in spring
and nobody here gets me
did anyone here get you?
where’s the forestry of college?
individual trees, competing
but we’re all empty and
no one picks us for Christmas
Last night a squirrel was crying, writhing on the street outside my dorm
my friend said that a professor said
no one could help it
and who could know better than a professor here?
when to put something out of its misery?
we keep walking in our misery
we type papers in our misery
we sit in class in our misery
we isolate
in our
misery
we forget that we’re not alone in our misery
scrape my naked branches with yours
I’m running on South Street
alongside sparrows swooping
through the bitter rain
and surfing across shallow puddles;
In shallow puddles I have no reflection;
I have no reflection but for in my mind.
October bites me icy pink and blue—
and I miss the warmth of her pumpkin sweater.
On my way home I buy a pumpkin,
and at home I carve it open
and crawl into its slimy seedy womb
in hopes hibernation will come early this year—
Hibernation was forced early last year,
but I think I want it forever. I think I forgot how to think
out here where it stinks with the smell of rotten gasoline
leaking from the old motorbike that passed by me on my run.
The burn still hangs loosely in my nostrils
knocking on the door to my brain,
seeping under the door frame,
whispering a softly degrading lullaby.
a car approaches
rumbling rumbling rumbling rumbling
crunching crunching crunching crunching
down the dirt road
that cleaves
the
grassy fields; adoptive sky;
and the
rambling rambling rambling rambling
curving curving curving curving
otter creek
the car departs
its weakening roar
relief
how can I feel so peacefully alone,
among so much life?
the water
debuts herself;
shedding stiff ice,
she rapidly folds
wrinkling forward
with amoral force.
her elegant
gestures
displayed
in the eroding edges
of her container
the trees along her path
reach up their veiny arms
and point me towards the sky
the vast abyss
above
earth pulls me back down
with a glimpse of movement
in the brush
what looks to be a raccoon tail
I watch him forage in the bushes
splash!
despite the river’s name, I’d never seen
an otter
my eyes drift to it
swimming just beneath the surface
its submarine eyes and head
a speck of darkness
my curiosity
verges on asexual voyeurism
as I stand on my side of the creek
the otter swims left
and the raccoon scurries right
and I’m torn
two roads diverged
and in my hesitancy
I fail to follow either
on the walk back
I ruminate
in a twenty minute voice memo
on the “human gaze”
and my insistence on observing other animals
in their habitats
while expecting privacy in my own
I want to wear the hill as a dress, swaddle myself in dirt and trees and the October foliage in the 5:17 p.m. light of this specific evening. We speed past. The fleeting nature of the foliage, and this moment, makes fashion impossible but glory inevitable. I cloak my mind with the hill instead. I smile at the white sheets cut into ghouls hanging from the trees outside homes but think, doesn’t fall decorate itself quite nicely enough? When we get home I want to peel the Halloween-themed gel stickers off our living room window and tear down the faux-spiderwebs draped on the porch. I mutter something about not understanding decorations and you agree, but you’re just visiting, and my roommates love festivities. So the stickers stay. In bed, I decorate you with my spit, and the beauty of the moment is in its evanescence. There’s nothing evanescent about plastic decorations, except that one day we’ll choose to take them down; I think I get it. Sometimes when the crisp Vermont air frolics in my nostrils and the mountains suck the sun into them and its warped colors decorate the sky, I feel anxious that it won’t last and that there’s no way for me to save the feeling it gives me. I worry that I might waste all my moments like this. How can I savor a taste I can’t name? What kind of decoration am I for the earth, I wonder. Should I drape my nude figure against the earth’s dewy curvature? If words can adorn then I’ll write––I’ll write with my body what my mind can’t articulate, and move the air with my limbs, ornaments of movement. We decorate with Time, to colonize it. While we carve pumpkins, then turkeys, and slit the throats of pine trees, and finally ornament ourselves in plastic glasses shaped like our future—what do we hope will change with the numbers on the calendar? That certain slant touches us earlier, and fades quickly. Does it remind you of your own mortality? Darkness isn’t so scary when there’s nothing conscious to perceive it. A supernova of leaves, the performance of their lifetime, gently perish under our feet. Bare branches shiver and giggle off snow: “Get naked!” Strip! Disassemble! Dismantle! But we cover ourselves up. With distractions, decorations, celebrations of the mundanity of the passage of time. On the full moon, more or less, that celestial body spotlights the spotting in my underwear and holds my maternity, and its ever-waning ability, on painful display. But aha! she certainly wanes too, and I think now, upon reflection, with a calm uterus, why don’t I savor the pain? As darkness shuts the slant, I press on, confident.
Soundless night, snug with darkness yet vast
in infinite white, soft coldness,
Listening
To the whirring and banging of the washers and the dryers communicating with each other
Existing
Doing as we bid them
An endless routine circular motion
Tumbling tumbling
Tumbling from the sky infinitesimal snowflakes
Fall into clumps, fall all over each other
Crowded lightness in the night
Makes me want to WHOOP as I make my footprints
And laugh up to the clouds
For covering us up and our land and our buildings and machines and roads and
Reminding us that we can be magical
But it’s so easy to forget
There’s something peaceful about being alone,
About being alone in the laundry room,
as I wait for my clothes to dry
And there’s something alive about it
About the washers and dryers
We coexist and breathe
And just beyond the window pane
The clouds breathe and the snow breathes
And falls and we all fall
And tumble
And stumble
And rinse
And repeat
Breathing
Together
UPROOT
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