SUMMER LOOKS IN THE MIRROR
UPROOT
Cracked an egg on my head
and let the yolk drip down
In thick yellow streaks,
sticky in my hair
We both dribble,
wet and unfertilized
Burnt butter sizzles
in the corner of my ear
The dead pig is splayed in strips
on my countertop, eyelessly watching me
Perhaps he knew the hens
back on Doolittle Farm
Do they know they are born
to be reaped?
My uterus aches and churns its soil, Must purge the urge to reproduce
gnawing for seeds. or else corral myself
My lips pulse, begging in the chicken coop.
to squeeze out something What’s my purpose,
fertilized, not just the usual if not caring for anyone
shedding. Prostaglandins force but me? I don’t have long
contraction in anticipation; to bloom
I’m punished before my soil hardens.
for my virgin soil I’m reminded, when
I
B
L
E
E
D
every month for my empty garden,
I am built to be harvested.
overthinking the small act of making a cup of ramen
Static hums as the water
slowly transforms in the kettle.
Minuscule bubbles,
steady seamen,
swim up.
The tinfoil waits her turn to shine,
nevertheless shining while she waits.
Flirts with the harsh kitchen light.
The kettle stands stable
but an ultrasound reveals her howling innards.
A crescendo of noise!
steaming and begging to explode out
of this womb,
no longer searching swimmers
or embryos
but fully-fledged fetuses,
the bubbles rumble,
come flowing out of the kettle
to fill a cup of uncooked ramen.
Unplugged, the mother’s cord hangs limp.
She relaxes as the tinfoil takes her cue
and contorts herself,
crinkling around the open, begging mouth
of the cup.
The tinfoil folds herself over it,
protecting the boiling water
because the mother cannot.
Then together, the foil and the water
warm the ramen noodles,
melting them,
and the noodles are grateful,
for they no longer stand stiff and tense,
cracking limbs with every risky movement.
No, now they can lounge, flaccid.
But the noodles resent the water
because the water holds them down
and they cannot kiss the tinfoil
to thank her
and too soon the tinfoil has left without
saying goodbye.
And lo! the fork penetrates,
squishing and swishing
the noodles, weak and malleable,
and yet they resist–
“where did she go?”
They can’t see the tinfoil
lying on her back like a dead bug
with only droplets
spotting her round crater,
her edges raised like uneven fences
of aluminum
as if to say “back off, leave me be…”
The seasonings swoop in,
absorbing the settled water,
giving purpose and taste to the droplets,
grown-up babies stolen from the kettle’s uterus
but no one remembers the kettle
anymore, anyway.
I miss the simplicity
of the big soft colorful
blocks
of my childhood.
RED YELLOW
GREEN BLUE
I forget how to play,
but I remember
how to build
tight lego walls
– the kind that hurt
your fingers to
pull apart –
attempting to
block you.
Each time you diligently dismantle
the pieces of my excessive defense,
your fingers grow red and raw.
We spend hours
dissecting
and
reconstructing my
blocked
thoughts
before we finally
place them gently
back in my brain
box.
Dried tears contrast
with my wet organ.
Only when
you play her keys
can I become
something
out of nothing.
Why is it that I always
want to end my “episodes”
with a fuck?
Sometimes,
I think I rebuild those lego walls
just to find out how long
it will take you to give up
so your fingers can finally heal;
you never do.
Sometimes,
I imagine myself postpartum,
crying with our baby at 4 a.m.,
writing myself messages in letter
blocks:
w o r t h l e s s
You change her dirty diaper
but can’t change my dirty brain.
I hope my breast milk
isn’t spoiled with this pain.
I put Baby in the cupboard
and let the salt shaker suckle at my breast:
I’m not fit to be a mother –
what Mother always said.
I drink laundry detergent like wine,
and later find Baby’s christening dress
– once white as communion wafers –
stained red as the blood we bless;
still I hang it on the line.
Like a proud husband would
the sheets of his virgin bride,
splattered with the wet rosy
spillage of her tide.
I look at Baby. Baby looks at me,
with big blue eyes that hold the sea,
but which cannot see this greyness
that storms inside of me.
SUMMER LOOKS IN THE MIRROR
UPROOT